September – 2024 – In Context
Monthly Archives

September 2024

Conference Presentations, Graduate Qualifying Paper, Research

Michaela Peine presenting at 40th Annual Art History Graduate Student Symposium

In the beginning of March, Michaela Peine was invited to present her paper, “Tangible Devotion: A Tactile Understanding of Fra Angelico’s Virgin Enthroned,” an excerpt from her QP research, at the Florida State University 40th Annual Art History Graduate Student Symposium. Presenting this paper gave Michaela an opportunity to hone her research and writing, presenting a facet of her work and receiving feedback that will contribute to her ongoing research.

Michaela’s paper focused on a small double-sided panel entitled Virgin and Child Enthroned with Saints Peter, Paul, and George, Four Angels, and a Donor, painted c. 1446 by Fra Angelico. This research argues that this panel shares many key similarities with deschi da parto—the trays presented to women upon giving birth—b​ut also that it also contains vital elements that mark it as a devotional object, not meant to be given to a new mother, but instead deliberately borrowing the iconography of birth trays in order to operate as an item of devotion for a male donor. Virgin Enthroned is not a static art piece; rather, the physical qualities of this panel reveal that this is an object that is meant to be held closely, turned over, and passed from hand to hand. By understanding the tactile qualities of this painting and imagining the spatial and physical environment it would have inhabited, it is possible to examine the psychological and spiritual narratives within Virgin Enthroned. Through this methodology she seeks to “embody” the piece, understanding its spiritual impact through its sensory qualities. Activated by the physical presence of the viewer, this tiny panel encapsulates the complex relationship between art, religious devotion, civic engagement, and the gendered gaze in quattrocento Italy.

Michaela was invited to submit her paper for publication with Athanor, the graduate publication of the Art History department at Florida State University. Her paper will be published in November, and she will present her QP in December.

Research, Research Travel, Students

Harrison Peck in Sveti Klement, Croatia (summer 2024)

Harrison Peck is an Art History/Archaeology Graduate student at the University of St. Thomas. His work over the summer of 2024 in Sveti Klement, Croatia was focused on the archaeological site at Soline Bay under professors Ivancica Schrunk and Vanessa Rousseau. His areas of focus in academics are Republican Rome and Early America, and he is particularly interested in archaeology and museum administration.

During the 2024 excavation at Soline Bay, Harrison worked with a Roman site that likely produced salt, wine, olive oil, and garum (a type of fish-sauce). He also assisted with both the actual excavation and the cleaning and organizing process afterwards on-site. This project followed an interdisciplinary approach through combined work from staff, faculty, and students with a variety of backgrounds in archaeology, history, geology, and art history. Harrison’s overall project focus for this season was the field of museum ethics and cultural heritage. Specifically, he analyzed museum methodology, cultural approaches toward history, and Croatian cultural property laws to identify how different countries both recognize and utilize historical and archaeological sites/objects.

The project’s initial stages involved setting up the excavation site and estimating the location of the old Roman wall. The located wall was in much better condition than expected – walls from the early Roman period are usually better cut than those from later periods and were almost always repurposed for other structures. Excavation continued to the lower layers where the digging ran close to bedrock and the wall’s foundation could be identified, which took most of the remaining time that had been allotted for the dig. The excavation team had other projects running alongside the primary excavation, which members of the crew assisted with as needed.

The geology team focused on core sampling and surveying, which added to the knowledge of the site’s geographic evolution; other areas of the site were cleared of brush and debris to allow for surface level examination. During the excavation, Harrison assisted Tom Schrunk with the archaeological photography of the site, taking photos and measurements of both the primary excavation and other areas. Toward the end of the excavation, the crew worked to clean and organize discovered pottery by layer, allowing future research to more easily examine the material and conclude roughly when and where it was deposited. The dig concluded with laying geocloth and backfilling the site to protect the old Roman wall. Discoveries from this year’s dig include a large number of tesserae (rectangularly-cut pieces of stone used to create mosaics), an ancient coin, and some fresco work. Additionally, they uncovered a great deal of different types of pottery; some retained slip, others were likely locally-made, and still others were imported, as they contained clay types identified as coming from the Levant and other areas.

At three points during the trip (before, during, and after the excavation), Harrison visited museums, archaeological archives, and local tourism-oriented sites of historical influence to investigate the cultural use of historical objects and their roles in modern Croatian culture. During these trips, he spoke with a number of experts including archaeologists, divers, museum managers, and curators to investigate Croatian cultural heritage laws and their application. The combined experience of the museum studies element and the excavation itself provided Harrison with a solid foundation for both museum-centric cultural heritage theory and hands-on archaeological experience.